Christopher Herrick at the console of Wells Cathedral
The Wells Cathedral lunchtime recital on Thursday 13th June was given in a decidedly soggy Wells by distinguished recitalist Christopher Herrick, who stated in his introduction that the recital would consist entirely of secular music. His programme, which was enthusiastically received by an appreciative audience, consisted of works by Verdi, Lemare, Mozart and the contemporary Norwegian composer Mons Leidvin Takle (b. 1942).
First on the programme was the well-known Grand March from Aida, arranged by Edwin Lemare, and Christopher Herrick. This was everything you would expect from a Lemare arrangement, but with added emphasis towards the end when all the themes previously heard were woven together in a grand flourish. This was followed with a Concert Fantasia by Edwin Lemare which is a lively upbeat improvisation on three very English melodies. “The Sailor’s Hornpipe, “The British Grenadiers’ and “Rule Britannia”. At the climax of the piece, while the hands are weaving together the original three melodies, Lemare simultaneously manages to include the tune of “Auld Lang Syne” in the pedals.
The Mozart Fantasia in F minor K608, which was originally written for a mechanical clock, was followed by Power of Life composed by the Norwegian Mons Leidvin Takle. This composer and his music was new to me, and what an introduction – the piece was power and drive all the way. He is a church musician, a well-travelled concert organist, and a prolific composer of vocal, instrumental and widely performed organ compositions.
Power of Life, dedicated to Christopher Herrick, is the first of nineteen pieces in a collection called Festivity. This energetic piece is full of breath-taking rhythmic drive and catchy melodies, as well as insistent repeated notes and chords. The piece reminded me a little of Sibelius with its energy and momentum, and was an absolute joy to listen to in an amazing performance by Christopher Herrick.
Report by Derek Jones